‘Nashville’ Episode 5.05: All Kinds of Wrong

There’s no doubt Tora Liledahl and Shira Gur love Nashville CMT and grateful for its return. But, this week’s Nashville episode was not one of their favorites and that’s an understatement.  Read our discussion on Nashville 5.05 – Love Hurts. Here’s hoping for a better episode next week.

More: Tora and Shira Discuss Nashville 5.04 
Related: All our Nashville Season 5 Discussions so far

Scarlett deserves better  

Shira: So….it wasn’t my favorite episode.

Tora: It was a horrible episode! There were glimpses I liked, but that’s about it.

Shira: The music video really tested my patience. 3 different men, Damien, Gunnar and Zach, spent half the episode mansplaining to Scarlett how she should own her femininity and how to be strong. I would love to see Scarlett keep growing and discovering who the hell she wants to be, but not in a way that build her strength through humiliation and credits her feminine sexual awakening to the condescending men around her. Yes, sure, another story of a woman reclaiming her power after being victimized by some man and men explaining to a woman how to be a woman was exactly what we needed…Not!

They put Scarlett in the most un-Scarlett scenario and call her difficult for having reservations and feeling uncomfortable. In what scenario this is remotely ok?

Tora: It’s not! I only liked Scarlett’s outburst in the middle accusing Damien for thinking “all women are secret sexpots dying to come out.” Unfortunately no one took what she said to heart. It was all so horrible, using the words “weak” and “strong” about women in strange demeaning ways. I’m horrified!

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I’ll destroy all of you

Shira: Scarlett has always been an introvert. That’s just who she is, but here they attributed it to her shyness and fear. One has nothing to do with the other! Criticizing her for being an introvert is saying introversion is a weakness and unsexy and there’s only one way to be sexy, which, according to this episode –looks very similar to a typical male fantasy.

Tora: Yes!! When Damien’s “she is a woman without filters” I’m like hello!!! Scarlett is an introvert and introverts have a million filters but there’s nothing wrong with it. So my first objection was really, why would anyone think this is an appropriate story to go with their song?!? The video demo last week had nothing to do with Scarlett and this had nothing to do with her. Rayna keeps claiming that she knows Scarlett, but why would she then think this video is a good idea? Also calling her “sensitive” says she doesn’t know her. She didn’t need protection, she needed support!

Shira: Rayna slightly “redeemed” herself at the very end when we hear her at the background telling Bucky she should have trusted her guts but still, she focused on Scarlett’s experience and how much “fun” she had instead of on the bigger issue. Scarlett is not a child. She proved her strength more than once already and if her next step is discovering her sexuality and her on-stage persona, it should be on her terms and in a way that empowers HER! You know, when I think back, in season 1 when Scarlett and Gunnar sang “Fade into you” it was one of the sexiest moments on the show. The only difference was, she was treated like a human being there and not like a lost child or an experiment!

Tora: Can’t quite get over it, how they kept telling her how she was and who she was, even Rayna, and how she first in her outburst fought back, but in the end, instead, got her insecure and Gunnar got the task to “lift her up”. It was awful.

Shira: It was! With this direction I will not be surprised if she’ll end up sleeping with this Damien who will become her “vessel” for sexual awakening. Seriously, Nashville? That’s how you want your women to grow? Never thought I’d have a woman issue with Nashville but after this, I do! Fix that!

Tora: This episode, and some of the reactions I’ve seen for it from people saying she’s “annoying” and “difficult” is, to me, all of a more reason to tell a true Scarlett story. Let her be who she is without everyone commenting on her and trying to “improve her”

Shira: #FreeScarlett

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Maddie and Clayton: It’s Complicated 

Tora: Not sure how I feel about Clayton. In the last episode he was in, I thought he was too vain. Now he upped that to self-absorbed. There were no nuances in this story at all and it was a bit painful to watch. I did like Lennon in it, though.

Shira: She was great. As for Clayton, I had problems with the writing of his character but didn’t think he was vain.

Tora: All that “I’m so mature, I’m so broken, I’m this and that, but I still keep calling you because I want to see you.” Annoying and self-absorbed.

Shira: Interesting. I agree it was annoying but I thought it wasn’t because he was vain but fb_img_1485778238531.jpgbecause they pinned too many issues on him. Is Nashville trying to make Clayton the poster boy for “diversity” on the show? In one episode he had 3 (!) relationship conversations with Maddie where he gave her 3 different reasons for why they shouldn’t be together.

First he told her he is older, then black, then bi-polar. And then there’s what we already know which is he is a struggling musician who grew up with an addict mother. At that rate, I was expecting he’ll also reveal they’re actually brother and sister. This character is currently all over the place. As you said – no nuances.

Tora: He was a caricature instead of a character. And yes, you can (and should) bring in diverse actors and give us new stories. But don’t make such a huge thing about it by putting it all on one character. Treat them as actual characters!

Shira: Exactly! It also, I think, took away from the whole love story. I can easily understand why Maddie fall in love with him and fall into the trap of the tortured artistic soul that needs saving (we’ve all been there) but….

Tora: It was all too much and too fast.

Shira: Yes! The reason we love Rayna and Deacon or Juliette and Avery is because the show took time to establish the bond and reveal the backstories. Here, in one episode, they jumped from falling in love, have the image of one of them shattered, feel torn, have a crisis that bonds them, break up, have their heart broken and get back together. Now add the complicated backstory and it’s just too much.

Tora: I feel the same. I think it makes perfect sense for Maddie to fall for him, he is older, good looking, a great musician and then adding the tortured part. That made perfect sense, but the story was a mess. Doing all of this in an episode and a half hurts the story.

Shira: I do think though what they are trying to do is actually make a parallel between Maddie and Rayna by letting her date a musician with issues. Hope it will come up somehow.

Tora: That could be interesting. And I have to say that in general the show needs to stop with the tragic mum stories. There are too many of them already.

Shira:  Agreed. Enough with the dead mothers. Nashville turned into one big orphanage.

There were still couple of things we did like!  

Tora: Still, not all was bad. There were tidbits I liked. Maddie’s “I’m going out. Meeting a boy” and her parents reaction was priceless.

Shira: Yes! When Rayna replied to Maddie saying Clay is a musician with “That’s nice” and Deacon added: “Is it?” couldn’t stop laughing.

Tora: And the parenting scenes, liked them too.

Shira: Yes, they were a united front and it was cute.

Tora: Also loved the fact she confided in Juliette and how it was done. She shared her problem without getting into specifics, giving Juliette an opportunity to give her an answer not defined by any bias of any sort.

Shira:  I enjoyed the “history lesson” Clayton gave Maddie and the fact we get exposed to more genres of music in Nashville. In general, I love they put more emphasis on the music business, the creative process and the city. Also thought the music club scene was fun and the music there was great!

Tora: And although the story was messy, one intention that I liked was to focus one episode on Scarlett (and also Maddie). Scarlett is an interesting character and a well done Scarlett episode could have been amazing.

Shira: Speaking (again) about Scarlett – By the end of the episode it looked like Scarlett and Gunnar’s days together are numbered. To be honest, I don’t care that much if they stay together or not, but if they’re doing another Scarlett episode, would sure love to watch her have fun for a change, and on her own terms.

More: The Importance of Rayna Jaymes to Nashville (and the world)

#SaveRayna

Shira: Ok, Zach. What does he want? Is he coming on to Will or trying to sign him as an artist? In any case, I really don’t like him.

Tora: I like Zach, but think he is too good to be true. Maybe he was coming on to Will…I’d like that.

Shira: There’s something off with him. One thing that made me excited and scared at the same time, was his suggestion to do a behind-the-scenes film for Rayna and Deacon. Why do I get the feeling he’s trying to drive her over the edge?

Tora: Wonder what crazy narratives he has in mind for them…

Shira: I think Zach is trying to drive Rayna crazy and take over Highway 65 like that. The way he “suggests” stuff and dares Rayna to do them while pretending it’s to help her business seems very calculated to me. I will not be surprised if he’s the stalker or the person who sent him.

Tora: I guess he was the first suspect, than they steer away from him, making him look good, and then can come back later showing he is crazy. So yes, it would not surprise me either. Also because he is rich and powerful makes him potentially even more psychologically dangerous, not only physically.

Shira: True

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Shira:  So, misogyny, caricatures and a stalker story that make it more and more plausible we’re about to lose Rayna. Overall, not a good day for Nashville.

Tora: No, gloomy day for sure!

Shira: By the end of this episode, other than Scarlett, the only person I felt any compassion towards was poor kleptomaniac Randall.

Tora: Haha, yes! Same.

Shira: Well, there’s always next week.

NOW IT’S YOU TURN. HIT THE COMMENTS AND TELL US WHAT YOU THINK

 

6 comments

  1. This is the worst episode of the show for me. I don’t even want to analyze it. Scarlett was annoying, Damien was abusive, Rayna was clueless, and Gunnar was even more clueless. It was just painful to watch.

    In the other main storyline of Maddie and Clay…I just don’t care. Maddie is still annoying to me, and I don’t want to see that much of her. It’s a crime that she had so many scenes when Avery wasn’t even in the episode at all.

    I don’t like this new approach of concentrating so much on only a couple of storylines (especially when one of them involves Maddie). I miss the other characters and want to know what’s going on with them.

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  2. I hope the show runners read this! I am happy to have Seasin Five and just hope they are finding their rhythm. Was the previous showrunner female? They need a woman’s point of view for these episodes AND although I like the slower speed they could push it up just a notch?

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  3. I can’t say much because I agree with just about everything! Ouch! I do love Clay & Maddie but just as you noted, did they have to over do the drama so much? The condescension to Scarlett character about her sexuality was really demeaning. Don’t know about all women in America right now, but this story line is certainly not with this American woman needs right now! Lol Even Rayna is seeming a little weak & defeated. That said there were some pretty stupid sls and some pretty terrible writing in S4 — so it’s kind if interesting to see you both so vocally critical! Kind of refreshing, actually. 😉

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    • Glad you enjoy it 😊 Can’t speak for Tora, but can say for myself I was pretty indifferent to season 4. It was evident they’re not telling the story they wanted for various reasons, so to me, it was more of the same only worse. I have very little to say about a situation like that… It’s just sad. There were parts I still enjoyed but everything seemed to gradually fall apart from somewhere at the end of season 3. Now, with the new life CMT gave the show, they’re telling the story they want to say and that’s an invitation for a discussion. That’s a fun conversation I want to be a part of, especially since the subject matter raises lots of current pressing issues i care about like feminism, race, freedom and the ever hanging world of the creative arts.

      I read lots of comments about the women being “strong” or “weak” this week. Honestly, I don’t think it’s the problem. To me, Rayna wasn’t weaker but maybe more vulnerable because now she has a partner for her business. As for Scarlett, she’s tough, very tough and maybe I’m wrong but I think they did try to set it up to be eventually an empowering story but the way it was done was a textbook of how NOT to do it.

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      • I think perhaps for me the episode just felt strange in how much focus there seemed to be on men saving women, from violence or from themselves (Scarlett– which was really barf-worthy as you and Tori noted), when in recent years we had Rayna taking down jeff and Edgehill records, being the strong one for Deacon, etc. And you’re right, there’s nothing wrong with a vulnerable Rayna- in fact it’s probably been missing a bit from NV all along, but i think just combined with the whole video sl, it just seemed very strange.

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  4. “The reason we love Rayna and Deacon or Juliette and Avery is because the show took time to establish the bond and reveal the backstories. Here, in one episode, they jumped from falling in love, have the image of one of them shattered, feel torn, have a crisis that bonds them, break up, have their heart broken and get back together. Now add the complicated backstory and it’s just too much.”

    Yes, yes and more yes. I do NOT want Nashville turning into another teen drama. And why are we rushing this story when ignoring important parts of others? Why haven’t we had one single scene of happy S/G since 501? At this point I’m not sure why either one of them wants to be in a relationship. We didn’t hear a single word about the concept album in the episode. Avery started writing a song a while back. Wonder if he ever finished it?? Not one single mention of Rayna and/or Deacon visiting Juliette since she got out of the hospital. Guess we’re done exploring that deep relationship between those characters. This episode was a tragic misstep, but hopefully it’s the last of a long season.

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